Paul du Quenoy on a concert of the National Symphony Orchestra in Washington.

On French wallpaper, restitution & digital technology.

“I was asked to write a five-minute orchestra work expressing the current world situation and to do it as soon as possible.” That is an interesting, possibly daunting, assignment. What was “the ...

On Shakespeare’s Tragic Art, by Rhodri Lewis. Shakespeare knew all this, of course. He exhibits a dazzling mastery of rhetorical tropes and techniques of persuasion, endowing his characters with an ...

On The Notebook: A History of Writing on Paper, by Roland Allen. Roland Allen’s fascinating The Notebook: A History of Writing on Paper is full of these kinds of multidisciplinary insights, connecting ...

Sabin Howard has been at the center of a battle over sculpture for over three decades. I first wrote about him in this space nearly twenty years ago, when I paid a visit to his studio in the South ...

In 1815, the British and American navies were at war. The war in question was the economic warfare of British blockaders. It was backed by the naval strength that made possible attacks on American ...

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Savor this—a passage of published prose written by a full professor at a major university, cited in Leonard Cassuto’s new book Academic Writing as if Readers Matter: [S]tudents’ production of texts ...

“Orphism” is what, exactly? According to Guillaume Apollinaire, who coined the term, It is the art of painting new structures out of elements which have not been borrowed from the visual sphere, but ...

While we are accustomed to thinking of the Spanish painter Joaquín Sorolla y Bastida (1863–1923) as an essentially cheerful figure, a man whose scenes are imbued with a refulgent Mediterranean light, ...

and all from mane to hoof clear-cut, cast against the broad side of a barn. This shape loomed before I saw the horse standing below, golden—yet trivial.